Alice Russell is natural, pure natural talent, a natural presence, a force of nature. Whether on a big stage with her 16 piece band, charming a crowd of 4000 into staying out dancing in the rain (as she did at Montreal Jazz Festival) or rocking out an intimate club set with a stripped down 6 piece band, she’s a singer who demands attention. Unfazed by taking to the spotlight after a sober Amy Winehouse or joining Roy Ayers live for ‘Everybody Loves The Sunshine’, there’s no wonder her powerful soul voice has attracted rave reviews from numerous national and international publications and praise from fans as diverse as Gilles Peterson, David Byrne, Dennis Coffey, Massive Attack’s Daddy G, and Groove Armada.
Alice has also won over a whole host of producers – lending her strong, emotional tones to releases by Mr Scruff, Quantic and Nostalgia 77, the latter pairing producing the ‘Seven Nation Army’ cover that demolished clubs for years. But following her first release ‘Under The Munka Moon’ it’s her records with longtime producer and bandleader TM Juke that she’s best known for. From their debut album ‘My Favourite Letters’ through to 2008’s live-tinged ‘Pot Of Gold’, they have made some of the most arresting blues soul since the glory days of Aretha.
“We’ve both got a very open approach to writing songs,” she explains of the prolific relationship. “And we both like so many different types of music whereas some people are more purist. Our influences run from Sarah Vaughan to Bach, Kate Bush to Arvo Part, and J Dilla to Alice Coltrane. We love everything from dirty, squelchy dubstep to old school soul. We nudge each other in the right directions.”
As much as she loves being in the studio there’s something special about Alice let loose on an audience. From performing with a full band and horn section, to pared down and more intimate sets, Alice Rusell takes no prisoners!
“Being on stage is more instant,” she admits. “I like things when they’re quite free. In the studio it can be like when you know someone’s taking your photo. Writing in the studio is amazing but when you’re doing takes it can be a bit daunting, but also really exciting. Live you can’t take it back – you’ve got to go all out there.”
It has led to some great experiences, like when she stayed on in Japan to visit the village where the promoter was from: almost like a 50s teen movie, a deal was struck where Alice would have free reign of the hotel for her stay if she did a gig.
“Of course we said yes,” Alice says with delight. “Babies and grandmas all turned up and there we were with a makeshift sound system thrown together out of amps and speakers. It was one of the most heart warming gigs I’ve ever done.”